As we celebrate the 50th anniversary of 25 April, this exhibition invites us to reflect on what we have achieved.

This exhibition, on the occasion of the 50th anniversary of 25 April, covers some of his work during the revolutionary period and his indelible mark on the round dates celebrating the Revolution, dispelling nostalgic impulses and responding with disquiet and doubt to the world around him, in a permanent concern for freedom(ies).

Na manhã do dia 25 de Abril de 1974, Ana Hatherly contrariou as recomendações para que “os habitantes de Lisboa se conservassem nas suas casas” e, como tantas pessoas, saiu à rua e fotografou o pulsar, a surpresa, a alegria, a celebração da liberdade.

Revolutions by Uliano Lucas is the story of a journey made of several journeys. Curated by Elisa Alberani, Miguel Cardina and Vincenzo Russo.

A video installation that reflects on the idea of freedom and resistance. A work by Kiluanji Kia Henda and Bruno Moraes Cabral about the most extreme deprivation of freedom in colonial times and, at the same time, fiction as the ultimate space of resistance.

The temporary exhibition that will occupy floor 4 of the Museum, "The Sacred Poetry of Hope" with works by Dília Fraguito Samarth and curated by Manuel L. Dias dos Santos.

ADEUS PÁTRIA E FAMÍLIA addresses the dynamics and tensions between repression and the resistances of sexual and gender diversity during the dictatorship and after the Revolution.

Violence is in the genesis, the practice and the symbolism of an occupation process. But violence meets resistance, with different expressions and impacts. This exhibition aims to reveal and highlight various processes of resistance to Portuguese colonialism between 1926 and 1974, the period that is the object of this museum.

Curated by Maria José Lobo Antunes and Inês Ponte, "The Guarded War" explores personal collections of men who were once soldiers during the war years.